CATEGORIES » MEANING OF THE SONG

The meaning of the lyrics of the song "He Came at Morn" by the artist "Thomas Haynes Bayly"

Thomas Haynes Bayly's poem "He Came at Morn" paints a picture of a woman's heart captivated by three different facets of the same man.

Morning: The lyrical heroine spends time with a minstrel. His songs of love and war, of peaceful life and battles, capture her imagination. He departs, leaving behind a trace of sadness and tears. Here, the man embodies a romantic hero, capable of captivating a woman with words and melody.

Day: At a tournament, the heroine encounters a valiant knight. He triumphs in combat and lays his trophy at her feet. In this image, the man demonstrates his strength, courage, and nobility—qualities that cannot leave a woman indifferent.

Evening: At the ball, the heroine shines with beauty. A young prince charms her with his dance, song, and gallant manners. In this persona, the man appears as a refined cavalier, skilled in making an impression with his charm and upbringing.

The three images—the minstrel, the knight, and the prince—merge in the heroine's mind into a single ideal. She is captivated not only by each image individually but also by their harmonious blend within one person.

The poem delicately conveys a range of feminine emotions—from romantic reverie to admiration for strength and nobility, from light sadness to genuine joy. It celebrates the multifaceted nature of love and the power of a single person to embody diverse and appealing qualities.

He came at morn to the lady's bower —

He sang, and played till the noontide hour;

He sang of war—he sang of love,

Of battle-field, and peaceful grove:

The lady could have stayed all day,

To hear that gentle minstrel play;

And when she saw the minstrel go,

The lady's tears began to flow.

At mid-day, with her page she went

To grace a splendid tournament;

And there she saw an armed knight,

With golden helm and plumage white;

With grace he rode his sable steed, —

And after many a martial deed,

He knelt to her with words most sweet,

And laid his trophies at her feet.

At night, in robes both rich and rare,

With jewels sparkling in her hair,

She sought the dance, and smiling came

A youthful prince, and breathed her name;

He sang — it was the minstrel's strain!

He knelt — she saw the knight again?

With lovers three —how blest to find

The charms of all in one combined!

More Articles
In his song "Blow Your Mind," Thomas Haardell paints a picture of a relationship in crisis. The lyrical hero feels that something is wrong, that he and his partner are "treading water" while other couples have "hit rock bottom" - broken up or sunk to an emotional low
In his song "Breathe", Thomas Fiss depicts a relationship teetering on the brink of collapse. The lyrical hero experiences coldness and estrangement from his lover
In "How to Disappear," Thomas Azier explores themes of loss, longing, and the desire to dissolve into something bigger, to escape reality. The lyrical protagonist undergoes a profound transformation "Everything I knew looks different now
Thomas Azier's "Babylon" is a metaphorical portrayal of the collapse of a materialistic world, an allegory for the inevitable fall of capitalism ("Babylon is bound to fall"). The lyrical protagonist observes the fading of former luxury ("the statues in the garden / Have sad eyes"), sensing the approaching end ("There's madness in my hands")
The song "Wir Tun Es Nochmal" ("We'll Do It Again") by Thomas Anders is an anthem to carefree fun and nostalgia for a wild youth.The lyrics convey the joy of being able to let loose again, just like old times
In the song "Zurück Zu Dir" ("Back to You"), Thomas Anders sings about an irresistible attraction to his beloved, despite all obstacles and risks. The lyrical hero is aware of the danger of this passion, perhaps even its destructive power, but cannot resist it
Feedback: mail@wikimeaning.com
Privacy Policy
Disclaimer
About Wikimeaning