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The meaning of the lyrics of the song "Doughnut Song" by the artist "Tori Amos"

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In Tori Amos's Doughnut Song, the "doughnut hole" image is a powerful metaphor for the emptiness and inability to connect emotionally that the singer sees in her former lover. She accuses him of being superficial and incapable of appreciating genuine intimacy.

The lines "lied to me, then threw me away, threw me away with the garbage" and "thought I'd crumble. Did you think I'd lay down and die?" show the man's immaturity and cowardice, leaving only empty words behind. "There's no one home, darling. No one at all" further emphasizes his emotional unavailability.

The recurring line "And if I'm just wasting your time, then maybe you never will learn to take from someone" expresses the singer's frustration. She feels that her efforts are futile and that he is incapable of receiving love and care.

The imagery of the shadow ("And if I'm just shadowing you, then I'm double-jointed in the back of my mind") suggests that the singer has held onto the relationship for too long, becoming a pale imitation of herself.

There are references to Southern culture ("boys in the south") and metaphors ("blood can be so sweet, like a gentle man", "copper has turned green, on a rusted-out hinge of a gate") which add emotional depth and complexity.

The comparison to the sun ("You said last night you were a sun. And I was a very devoted satellite") underlines the former lover's self-centeredness. He is only looking for his own satisfaction without caring for the feelings of others.

Ultimately, the song leaves a sense of bitterness and disappointment. Despite the painful breakup, the singer realizes her self-worth and her right to experience true love.

Had me a trick and a kick and your message.

You'll never gain weight from a doughnut hole.

Then thought that I could decipher your message.

There's no one here, dear. No one at all.

And if I'm wasting all your time this time,

Maybe you never learned to take.

And if I'm hanging on to your shade,

I guess I'm way beyond the pale.

Hey... you...

And southern men can grow gold, can grow pertty.

(You can tell me it's over, it's over.)

Blood can be pertty like a delicate man.

(You can tell me over, over your shoulder.)

Copper to steel, to a hinge that is faltered.

(You can tell me it's over, it's over.)

That let's you in, let's you in, let's you in.

(Come in Houston.)

And if I'm wasting all your time this time,

I guess you never learned to take.

And if I'm hanging on to your shade,

I guess I'm way beyond the pale... hey, hey, heh...

Something's just, something's just ke...eping you numb.

You told me last night you were a sun now,

With your very own devoted satellite.

Happy for you and I am sure that I hate you.

Two suns too many, too many able fires, hey, yes.

And you've been wasting all my time this time,

(You can tell me it's over.)

I said, you never learned to take.

(You can tell me over, over your shoulder.)

And if I'm hanging on to your shade,

I guess I'm way beyond the pale.

I guess I'm way beyond the pale...

Had me a trick and a kick and your message.

You'll never gain weight from a doughnut hole.

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