The meaning of the lyrics of the song "Incoming and outgoing." (Na othod i prihod) the performer of the song "Vladimir Vysotsky"

Twenty thousand horsepower are straining at their harnesses,

And the herds of engines wheeze and rage below.

The hawsers thin under the strain,

Squeezing tears onto the wharf.

And short, angry commands

Are carried by the fast wind into the darkness:

"Fenders overboard!", "Cast off the bowlines!"

And - "Tugboat, give us some stern!"

The captain, smiling faintly, -

Everything is fine, well done, lads, -

Breaking free from the land,

Ordered to cut the ropes.

But again their gazes turn back -

The land holds on tight, something is not right:

Why do the barrels take so long to align,

Why does the lighthouse blink so often?!

Everything is in order, end of discussion.

Except for the watchmen, everyone - stand down!

But the cabins are empty - the sailors

Are still getting used to this freedom.

The captain, smiling faintly,

Only said: "Well done!"

Breaking free from the land,

It's not easy to cut the ties.

The passage - twenty days - the longboats are drying up,

This morning the last albatross fell behind...

If only - a storm! Or better yet - in the radio room

The stunned radio operator received someone's SOS.

And so it is: three men - a month in a trough,

Their yacht smashed to pieces by a whale...

Why are you thanking us -

Thank you for this rescue!

The captain, smiling faintly,

Only said: "Well done!" -

To those who, parting with life,

Did not want to cut the ties.

And again there will be Fiji, and the port of Curaçao,

And another line in the logbook and God knows what else,

And the most beautiful fjord in the world, Milford Sound -

Everywhere I haven't set foot yet, but -

You will moor in Tahiti

And play my recording, -

Through the biggest amplifier

I will sing about you in Tahiti.

The master will say, smiling,

To me and the song: "Well done!"

So, staying on land,

I'm making connections everywhere.

And again, as if in the ring, moves forward,

The cautious shadow of the ship on the water.

The sailors are tense, the springs are slack...

Rudder half a point to the left - and the land is in the past!

Лошадей двадцать тысяч в машины зажаты -

И хрипят табуны, стервенея, внизу.

На глазах от натуги худеют канаты,

Из себя на причал выжимая слезу.

И команды короткие, злые

Быстрый ветер уносит во тьму:

«Кранцы за борт!», «Отдать носовые!»

И - «Буксир, подработать корму!»

Капитан, чуть улыбаясь, -

Всё, мол, верно - молодцы, -

От земли освобождаясь,

Приказал рубить концы.

Только снова назад обращаются взоры -

Цепко держит земля, всё и так и не так:

Почему слишком долго не сходятся створы,

Почему слишком часто моргает маяк?!

Всё в порядке, конец всем вопросам.

Кроме вахтенных, все - отдыхать!

Но пустуют каюты - матросам

К той свободе еще привыкать.

Капитан, чуть улыбаясь,

Бросил только: «Молодцы!»

От земли освобождаясь,

Нелегко рубить концы.

Переход - двадцать дней, - рассыхаются шлюпки,

Нынче утром последний отстал альбатрос…

Хоть бы - шторм! Или лучше - чтоб в радиорубке

Обалдевший радист принял чей-нибудь SOS.

Так и есть: трое - месяц в корыте,

Яхту вдребезги кит разобрал…

Да за что вы нас благодарите -

Вам спасибо за этот аврал!

Капитан, чуть улыбаясь,

Бросил только: «Молодцы!» -

Тем, кто, с жизнью расставаясь,

Не хотел рубить концы.

И опять будут Фиджи, и порт Кюрасао,

И еще черта в ступе и бог знает что,

И красивейший в мире фиорд Мильфорсаун -

Всё, куда я ногой не ступал, но зато -

Пришвартуетесь вы на Таити

И прокрутите запись мою, -

Через самый большой усилитель

Я про вас на Таити спою.

Скажет мастер, улыбаясь

Мне и песне: «Молодцы!»

Так, на суше оставаясь,

Я везде креплю концы.

И опять продвигается, словно на ринге,

По воде осторожная тень корабля.

В напряженье матросы, ослаблены шпринги…

Руль полборта налево - и в прошлом земля!

Vladimir Vysotsky's song "Setting Sail and Coming Home" tells the story of a ship embarking on a long voyage and the people whose lives are intertwined with the sea.

The first part describes the very moment of departure, when the ship struggles to break free from the shore. The imagery of "snorting herds" of engines, "straining ropes," and "squeezing tears" creates a sense of heaviness, of battling against the pull of the land. The captain, issuing commands, orders to "cut the lines" - a metaphor for a decisive break with the past, with the old life.

The second part is a reflection on why this separation is so difficult. The "gates" of the port won't close, the "lighthouse blinks" - as if fate itself is warning of danger. And although the sailors are eager to sail, deep down they harbor a fear of the unknown. It is no coincidence that the cabins are empty - the sailors are not yet used to this freedom, which is both alluring and frightening.

The third part describes the monotonous routine of life on the open ocean. The days stretch endlessly, the only entertainment is watching the rare birds. The sailors even dream of a storm or an SOS, just to break the monotony. And when a distress signal arrives, they rush to help with joy, because it is a chance to prove themselves, to feel the taste of real life.

The fourth part is a lyrical digression. The captain reminisces about the distant lands he has visited. And although he is now on the ship, his thoughts are on the shore, among friends. He promises to sing them a song about his adventures when he returns from the voyage.

The fifth part brings us back to reality. The ship is on its way again, and new horizons lie ahead. The sailors are tense because "rudder half a turn to the left" means that the land is out of sight, and the real voyage begins.

Vysotsky's song is a hymn to strong, courageous people who are ready for challenges. They know what true friendship is, they know how to value life, and they are not afraid to face danger.