The meaning of the lyrics of the song "Incident in the City Garden" (Sluchay v gorodskom sadu) the performer of the song "Mikhail Krug"

Grabbing a bottle of Russian vodka, I hurried to the empty square.

Gotta be at work soon, not literally, just an example I swear.

You see, I work at Aunt Katya's, the building manager, she's the boss.

If I don't work, Katya will kick me out, at any cost.

Suddenly, I see my buddy Kolya, already slightly drunk,

Walking with some chick, still half asleep, haven't woken up from the funk.

Kolya and I go way back, like brothers, splitting our paychecks since youth.

Never mess with his women, mine are better, that's the truth.

This encounter promised a hangover cure, some fun, and a girl to boot.

The girl poured us both a shot and said, "At least try to act astute."

"In public, behave yourselves, quit the groping," she sighed with a frown.

"Don't care about you," she hissed, "My husband will be back in town."

He emigrated to Anapa, then came back near Kalinin.

They mocked him in Peremerki, he froze, lying there all blue and thin.

Kolya jumped in, "What's wrong, you hag? Not happy with the view?"

In front of everyone, he slapped her, but gently, it's true.

Kolya's friend died in Afghanistan for sluts like her, it's a shame.

I pulled out a knife from my boot, Kolya shouted, "He's telling the truth, ma'am!"

If we let these scumbags win, imagine the deadly outcome.

Our prisons would be empty, digging mass graves would be common.

The situation is tough, our boys are dying somewhere far away.

My buddy Lyovka told me, "NATO dogs have gone astray."

He's messing with me, playing dumb, diplomacy is no laughing matter.

Vodka splashes in the glass, Kolya yells, "Drink up, Mishka, what's the matter?"

You can't fool us so easily, we'll crush them with our bare hands, that's a fact.

No amount of your spies can harm us, not even with eyes so slant.

Parasitic newspapers wrote at the dawn of our nation's might,

"The Soviets are doomed!" But those fortune-tellers got it all wrong, despite.

Взяв бутылку русской водки, я спешил к пустому скверу.

Скоро надо на работу, я не прямо, я к примеру.

Я ж работаю на даче тёти Кати — управдома.

Не работать, так иначе Катя выгонит из дома.

Тут навстречу кореш Колька. И порядком подкирнувший,

И идёт с какой-то молью, не совсем ещё проснувший.

Я ведь с Колькой с детства знаюсь, он как брат со мной в получку.

К его бабам не таскаюсь — у меня свои получше.

Встреча счастливо сулила опохмелку, кайф и бабу.

Баба нам двоим налила и сказала, чтоб хотя бы

Мы с Коляном — покультурней, а то лапаем при людях.

Нам, мол, что, а ей-то будет: муж с Бурашева прибудет.

Эмигрировал в Анапу, а приехал под Калинин.

В Перемерках сняли шляпу, и замёрз, лежал весь синий.

Но вступился Колька с ходу: "Чем ты, лярва, недовольна?"

И при всём честном народе ей ударил, но не больно.

Колькин друг в Афгане сгинул за таких, как ты, шалава.

Я перо с засады вынул, Колька крикнул: "Миша, правда!"

Если б мы исход смертельный этим гадам допустили,

Тюрьмы б наши опустели, рыли б братские могилы.

Положение нелёгко, где-то гибнут наши парни.

Как сказал мне кореш Лёвка: "Псы взбесились в НАТО-псарне".

Крутит мной, как с дураками; дипломатия не шутка.

Плещет водочка в стакане, Колька крикнул: "Пей, Мишутка".

Нас так просто не обманешь, мы их — голыми руками.

Их шмотьём не забросаешь, даже с узкими глазами.

Паразитные газеты на заре нашей писали:

"Неминуем крах Советам!" но гадалки просчитали.

The song "Incident in the City Garden" by Mikhail Krug tells the story from the perspective of a simple working-class man. At first glance, the lyrics might seem like a collection of everyday sketches and unrelated events. However, a deeper analysis reveals a social subtext and even a political background.

The protagonist is a hardworking man, drinking in the morning not from a good life, but out of necessity ("Soon I have to go to work..."). He works at the dacha of the house manager Aunt Katya, who keeps him under strict control. Upon meeting his friend Kolka, the protagonist gladly agrees to have a drink. In this scene, the author unobtrusively depicts a typical picture of the life of ordinary people during the Perestroika period: lack of money, alcohol as a way to escape from reality.

The appearance of a "woman" with her Afghan war veteran husband brings a sharp dissonance to the measured flow of the story. The husband, obviously traumatized by the war, sees enemies in the protagonists, possibly associating them with the enemy from the Afghan war. Kolka, defending the honor of himself and his friend, gets into a fight.

The final part of the song is the most politicized. Here we hear echoes of Perestroika rhetoric: "Dogs went mad in the NATO kennel," "He twists me around like a fool; diplomacy is no joke." The author draws parallels between the aggressive policy of the West and the difficult situation within the country ("The situation is not easy, our boys are dying somewhere").

Thus, behind the seemingly simple story of two friends lies a deep socio-political drama of a turning point in history. Mikhail Krug masterfully conveys the atmosphere of uncertainty, anxiety, and hope characteristic of that time.