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The meaning of the lyrics of the song "Sketch from Leningrad" (Zarisovka iz Leningrada) the performer of the song "Vladimir Vysotsky"

In Leningrad city,

At Five Corners,

Got punched in the face,

Sanya Sokolov.

Sang out of tune,

Made a scene,

Well, he deserved it then,

It would seem.

In Leningrad city,

Peace and grace!

Where are the thugs and thieves?

Not a trace!

Can't compare to Athens,

A bit cold,

True – the Swedes and Finns...

Oh well, all told!

In Leningrad city,

Taxis, like elsewhere,

But don't bother hailing,

It's just hot air!

Even if you're wasted,

On a spree,

You'll walk, you'll have to,

To the taxi rank, you see!

В Ленинграде-городе

У Пяти Углов

Получил по морде

Саня Соколов

Пел немузыкально

Скандалил

Ну и, значит, правильно

Что дали

В Ленинграде-городе

Тишь и благодать!

Где шпана и воры где?

Просто не видать!

Не сравнить с Афинами

Прохладно

Правда – шведы с финнами

Ну ладно!

В Ленинграде-городе

Как везде, такси

Но не остановите

Даже не проси!

И даже если очень пьешь

По пьянке

Не захочешь, а дойдешь

К стоянке!

In his song "Sketch from Leningrad," Vladimir Vysotsky, with his characteristic irony and satire, paints a contradictory image of the city on the Neva. On the one hand, we are presented with a seemingly idyllic picture: "peace and grace," the absence of obvious crime ("hooligans and thieves... you just can't see them!").

However, this ideality turns into the other side of the coin. The case of Sanya Sokolov, who was "punched in the face" for drunken brawling and singing "out of tune," exposes intolerance towards otherness, a desire to fit everyone into a single standard of behavior. The phrase "well, it means it's right that they gave it to him" sounds ambiguous: on the one hand, it is a condemnation of hooliganism, on the other - a hint of unjustified cruelty and the lack of alternatives to violence as a way to solve problems.

The comparison of Leningrad with Athens, saturated with the spirit of freedom and democracy, turns into a statement of lack of freedom: "no comparison." At the same time, Vysotsky does not miss the opportunity to tease the "coolness" of the northern capital, contrasting it with the warmer climate of Greece. The mention of "Swedes and Finns" refers to historical conflicts and serves as a reminder that the seeming serenity can be destroyed at any moment.

The final part of the song is dedicated to another feature of Leningrad – problems with taxis. The impossibility of catching a car, even when heavily intoxicated, is presented with irony, but at the same time emphasizes the shortage and disorder of everyday life. As a result, the phrase "you won't want to, but you'll walk to the taxi rank!" sounds like a sentence: in this city, you are forced to obey the circumstances, whether you like it or not.

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