The meaning of the lyrics of the song "Ah, field, field, field..." (Ah, pole, pole, pole…) the performer of the song "Vladimir Vysotsky"

Oh, field, field, field,

Oh, field, field, field!

And what grows in the field?

Only grass, nothing more.

And what flies over the field,

And what flies over the field?

Bullets fly over the field,

Shells fly too.

And who walks across the field?

Military detachments.

They walk across the field

With sharpened bayonets -

Then they'll cling to the field

With their cold cheeks.

Then they'll cling to the field

With their cold cheeks.

And what then in the field?

And what then in the field?

Only grass - nothing more,

Only grass - nothing more...

Ах, поле, поле, поле,

Ах, поле, поле, поле!

А что растёт на поле? -

Одна трава, не боле.

А что летит над полем,

А что летит над полем?

Летят над полем пули,

Ещё летят снаряды.

А кто идёт по полю?

Военные отряды.

Идут они по полю

С гранёными штыками -

Потом прижмутся к полю

Холодными щеками.

Потом прижмутся к полю

Холодными щеками.

А что потом на поле?

А что потом на поле?

Одна трава — не боле,

Одна трава — не боле…

English:

Vladimir Vysotsky's song "Oh, the field, the field, the field..." is a poignant reflection on war and its devastating consequences. Using a simple, almost childlike dialogue form, the author creates a contrast between the seeming serenity of nature and the brutal reality of combat.

"Oh, the field, the field, the field… / And what grows in the field? - / Only grass, no more." These opening lines sound innocent, almost idyllic. The field, a symbol of space and life, is associated with peace and tranquility. The answer "only grass, no more" reinforces this sense of simplicity and naturalness.

However, the idyll is shattered in the next verse. "And what flies over the field… / Bullets fly over the field, / And shells fly too." The sharp contrast between the peaceful landscape and deadly weapons creates a sense of anxiety and despair.

The question "And who is walking across the field?" receives the expected, but no less terrible, answer: "Military detachments." The image of soldiers marching across the field "with their faceted bayonets" carries a premonition of inevitable tragedy.

The song's culmination are the lines: "Then they will press against the field / With their cold cheeks." This imagery is multifaceted. On the one hand, it speaks of the death of soldiers who will find their final resting place in the ground. On the other hand, "cold cheeks" symbolize the indifference of death, which mercilessly mows down lives on the battlefield.

The final lines of the song sound like a bitter, grief-stricken summary: "And what then on the field? / Only grass - no more, / Only grass - no more..." The war is over, but life does not return. The field, which has become a silent witness to the tragedy, is once again covered with grass, concealing beneath it traces of human grief and violence.

Vladimir Vysotsky's song is not just an anti-war statement. It is a reflection on the fragility of human life, on the senselessness of war, which leaves behind only emptiness and pain.